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Adobe CS5.5 Launched!

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Adobe has launched version 5.5 of its Creative Suite of design and art applications across print, digital and motion media – and it should be out by the end of April. Users of Photoshop and Illustrator will be disappointed with a lack of new tools as these have been barely upgraded – they’re still called version 5, not 5.5 – but there’s a lot to like on the interactive and video side.

The primary focus of the 5.5 upgrade, says Adobe, is to build in support for technological developments in the wider world – such as tablet-based digital magazines, HTML5 on the web, and stereoscopic video production. The company is moving from a 18-month release cycle to releasing ‘.0’ upgrades every two years or so – with interim releases allowing them to more quickly respond to new technologies, it says.

The only addition to Photoshop CS5 is that now it can communicate with other devices over a network. This offers some intriguing possibilities, and Adobe has showed us a series of iPad apps that take advantage of this. They’re different from the ones shown by Adobe last week at Photoshop World. That was a creative tool similar in some ways to Photoshop on an iPad, while these are less complex and require access to a full version of Photoshop on Mac or Windows to function properly.

Easel is a simple painting app similar to the Brushes app, but from which you can send ‘sketches’ directly to Photoshop. Color Lava is a colour palette creation tool similar in principle – if not in interface – to Adobe’s Kuler system. It can send schemes over a network to Photoshop. Nav allows you to use the iPad as a control surface for Photoshop, enabling you to quickly jump between tools.

Adobe has also brought back Audition, a sound editor that was dropped in CS5 in favor of Soundbooth, but now it makes it’s return.

The other MAJOR introduction to CS5.5 is the idea of a subscription service. For those designers starting out who cannot easily drop the $1,700 for the whole Creative Suite, Adobe now offers a subscription service.

Just when you thought the InDesign/QuarkXPress battle was over, here comes Quark roaring back with version 9.

To find out more, and download a trial version, go to www.quark.com.

3D Workflow Seminar

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3D Workflow Seminar
January 20, 2011, 09:00 AM – 11:30 AM
Event Number: 110573
Event Type: Seminar
Event Language: English

Description:
Experience Professional 3D Video at Roscor’s Start to Finish
3D Production Workflow Seminar!
Featuring:
ACQUISITION with Panasonic’s AG-3DA1
Twin Lens 3D Camera Recorder

VIDEO POST PRODUCTION with Apple
Final Cut Studio and CineForm Neo3D

and FULL 3D HD OUTPUT with AJA Kona 3G

Also see AJA’s KiPro in Action!

Panasonic, Apple and AJA products operating in a tapeless 3D production workflow will be demonstrated. See Panasonic’s AG-3DA1 camera working together with Apple Final Cut Studio and AJA’s Kona 3G at a special technology workflow seminar. Sales and Demonstration Experts will be on hand for live demonstrations.

Sponsors:
Apple Inc.
Roscor Corporation

here is a link:

http://www.seminars.apple.com/cgi-bin/WebObjects/ASPRegistration.woa/wa/eventDetails?eventid=110573&locs=us_en&s=300

While the HTML 5 and Flash standard debate rages, Apple, a major promoter of HTML5, has allowed its iOS devices to run Flash videos.

Apple has given approval to an app developed by Skyfire that translates Flash code into HTML5. According to CNN, when a user clicks on a Flash video the Skyfire app downloads the Flash video on Skyfire’s server where the video is decoded and then encoded in HTML5. It is later delivered to an iOS device. The app is embedded in the Safari browser.

The app will be available for download from today at $2.99.

http://hken.ibtimes.com/articles/78275/20101103/apple-iphone-adobe-flash-html-5-standards-microsoft-skyfire-safari-browser-decodes-encodes-ios-ipad.htm

This event is Sunday, October 17th, from 1:30 p.m. to 4:30 p.m.

Max/MSP/Jitter is an extraordinary tool to help you speak in the language of your audio and visual signals, and let them speak to each other. It’s used in the creation of concerts, video art installations, and other media applications.

In this free workshop presented by our guests, Adam Rokhsar and Hans Tammen from the NYC media center Harvestworks, you’ll be introduced to some of the possibilities.

Want to manipulate the speed of a video clip with a midi signal? Or build beats in a song by analyzing the motion in a live video feed? Visual programming languages, which also include Pure Data, Processing, and VVVV, make such projects accessible.

This workshop will provide a foundation for any of these software options, which are often used in conjunction with Arduino or Ableton Live.

If this workshop sounds totally exotic to you, then you’d dig it the most. Bring a laptop with the Max demo on it, or just come to listen.

If you’re already into projects of this nature, Adam and Hans will take your questions and consult on your projects. The experience will be rewarding for artists, programmers, and everyone in between. We’re proud to be presenting this in association with the Myers School of Art’s Collider Exhibit Series, which has hosted some extraordinary lectures of this nature, and has Collider3: Transform,  scheduled for March.

Learn more about Harvestworks at www.harvestworks.org, or Max/MSP/Jitter at www.cycling74.com. Get a sense of the world we’re entering at www.createdigitalmotion.com.

Book Review by Howard Kass

Mastering Photographic Composition, Creativity, and Personal Style by Alain Briot
2009, Rocky Nook, Inc., Santa Barbara, CA

In Mastering Photographic Composition, Creativity, and Personal Style,  Alain Briot shares his philosophy surrounding photographic composition and the development of one’s personal creative style, but not before displaying some of his personal anger toward those “purists” who disdain any manipulation of a photograph, except in a traditional wet darkroom.  Once Briot gets past that personal issue, he does share some valuable thoughts on the process he goes through in creating photographs.

He begins by explaining a number of technical issues pertaining to photography, leads into a discussion of composing with light, then with color, and, finally, in black and white.  Following this discussion, he delves into the development of one’s creativity and personal inspiration and, eventually, one’s personal vision.

For the most part, this book is a worthwhile read and can be a useful tool in helping photographers develop their personal creative styles.  While the content was, indeed, valuable, I was troubled by the number of typographical and grammatical errors in the book, and was particularly troubled by the fact that, in some cases, captions were switched between photos on a page.  I would have expected a higher degree of care in editing.

This book is clearly targeted for the serious photographer who has gone beyond the basic “rules” of composition.  If the reader can get past the deficiencies previously described, this book can be a useful tool in further developing one’s creativity.  I recommend it, with the reservations expressed in this review, for the serious photographer.